Untitled (1966-67)

Beschrijving

Signed and dated 1966-67 in pencil (lower right). Embossed print. Provenance: Art Affairs, Amsterdam, acquired in 2002. From the beginning, elementary research has characterized Ewerdt Hilgemann’s work. After experiments with subtle, white wooden wall pieces catching light in the 1960s, he turned into a conceptual sculptor, using natural stone, as well as steel, geometrical shapes in series: positive versus negative.


In 1980 he introduced randomness and natural powers beyond his control into his working method. Much to his surprise, he found that also the unpredictable is subject to natural laws, to which he soon could adapt and anticipate. (Source: Artist’s website)

Untitled (1966-67)

Hilgemann, Ewerdt
(Witten, 21 februari 1938 )

Details

Databanknummer:
79784
Lotnummer:
-
Advertentietype
Archief
Instelling:
Venduehuis Den Haag
Veilingdatum:
-
Veilingnummer:
-
Stad
-
Limietprijs
-
Aankoopprijs
-
Verkoopprijs
-
Hamerprijs
-
Status
Verkocht

Technische details

Kunstvorm:
Grafische kunst
Technieken:
Preegdruk
Dragers:
Papier
Lengte:
46 cm
Breedte:
46 cm
Hoogte:
-
Oplage:
onbekend

Beschrijving

Signed and dated 1966-67 in pencil (lower right). Embossed print. Provenance: Art Affairs, Amsterdam, acquired in 2002. From the beginning, elementary research has characterized Ewerdt Hilgemann’s work. After experiments with subtle, white wooden wall pieces catching light in the 1960s, he turned into a conceptual sculptor, using natural stone, as well as steel, geometrical shapes in series: positive versus negative.


In 1980 he introduced randomness and natural powers beyond his control into his working method. Much to his surprise, he found that also the unpredictable is subject to natural laws, to which he soon could adapt and anticipate. (Source: Artist’s website)

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