Beeldmateriaal
Beschrijving
Signed and dated ’47 lower right. Annotated Voor Jeake Hansma van Karel ter herinnering aan onze vriendschap on the reverse.
Provenance:
– Collection Jeake Hansma, Amsterdam
– Amcha Kunstcollectie, 2004
– Collection Elisabeth den Bieman de Haas, Amsterdam
Literature:
– E. den Bieman de Haas, La Femme: Schilderijen & Beelden, Van Spijk, Venlo, 1992, cover & p. 1 (ill.)
Exhibited:
– Kunsthandel Elisabeth den Bieman de Haas, Amsterdam, La Femme: Schilderijen & Beelden, 1992
Note:
Registered at the RKD – Netherlands Institute for Art History in The Hague under number 167807.
In the mid 1940s, Karel Appel lived and worked in the centre of Amsterdam, with his studio first located on the Zwanenburgwal and later on the Oudezijds Voorburgwal. During those years, he also made a few paintings of models, such as of Jeake Hansma and Tony Sluyter. In 1947, Appel painted this portrait on offer of Jeake Hansma, a model he likely met through her brother, Tjako (Tjeerd) Hansma. Tjako, a barkeeper at a bar on the Zeedijk near Appel’s studio, was briefly part of the Experimental Holland Group, alongside artists like Corneille and Anton Rooskens. Hansma, known for his wild and combative nature, soon left the group to pursue a career as an artist in Paris, where Appel might have caught up with him when he moved there in 1950 together with his wife Tony Sluyter.
Details
- Databanknummer:
- 94025
- Lotnummer:
- -
- Advertentietype
- Archief
- Instelling:
- AAG Auctioneers
- Veilingdatum:
- -
- Veilingnummer:
- -
- Stad
- -
- Limietprijs
- -
- Aankoopprijs
- -
- Verkoopprijs
- -
- Hamerprijs
- -
- Status
- Niet verkocht
Technische details
- Kunstvorm:
- Schilder- en Tekenkunst
- Technieken:
- Olieverf
- Dragers:
- Doek
- Lengte:
- 49.7 cm
- Breedte:
- 39.8 cm
- Hoogte:
- -
- Oplage:
- -
Beschrijving
Signed and dated ’47 lower right. Annotated Voor Jeake Hansma van Karel ter herinnering aan onze vriendschap on the reverse.
Provenance:
– Collection Jeake Hansma, Amsterdam
– Amcha Kunstcollectie, 2004
– Collection Elisabeth den Bieman de Haas, Amsterdam
Literature:
– E. den Bieman de Haas, La Femme: Schilderijen & Beelden, Van Spijk, Venlo, 1992, cover & p. 1 (ill.)
Exhibited:
– Kunsthandel Elisabeth den Bieman de Haas, Amsterdam, La Femme: Schilderijen & Beelden, 1992
Note:
Registered at the RKD – Netherlands Institute for Art History in The Hague under number 167807.
In the mid 1940s, Karel Appel lived and worked in the centre of Amsterdam, with his studio first located on the Zwanenburgwal and later on the Oudezijds Voorburgwal. During those years, he also made a few paintings of models, such as of Jeake Hansma and Tony Sluyter. In 1947, Appel painted this portrait on offer of Jeake Hansma, a model he likely met through her brother, Tjako (Tjeerd) Hansma. Tjako, a barkeeper at a bar on the Zeedijk near Appel’s studio, was briefly part of the Experimental Holland Group, alongside artists like Corneille and Anton Rooskens. Hansma, known for his wild and combative nature, soon left the group to pursue a career as an artist in Paris, where Appel might have caught up with him when he moved there in 1950 together with his wife Tony Sluyter.
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